Digestive Press


81
May 21, 2012, 21:18
Filed under: Poems

Sitting sipping strong black future-tea with the boys
We eke out an in-depth conversation about bread
Because baking is the new sex, everyone is saying.
Meanwhile heavy rain slashes at the café windows.
When we leave, we pull our jackets over our heads
And run.
In the flooded gutter a roadkill hedgehog floats
Squashed open so it looks like a lost jellyfish.



36
May 21, 2012, 18:55
Filed under: Poems

You look like the sky, so
I’m going back under my rock
Now, to last forever.



Notes On The Pursuit Of
May 8, 2012, 18:37
Filed under: Stories

So this is spontaneity. Like spontaneous combustion. There we are in our pyjamas, sitting in the car and up there is the flying thing, something lit-up and travelling through the night sky. A balloon or a blimp or some other kind of craft. We watch the road and we watch the sky as we chase the flying thing sailing above the town, traffic thrumming with more and more people driving out to see this thing. No one knowing exactly what they are looking at and why, and where they are going this late in their nightclothes and slippershoes. Are we being serious? We’re all too tired to work it out. All these people out in their cars chasing this airborne thing we’ve suddenly noticed – happened to look up and see, we did not read about it on the internet, we were not alerted by text message. It was not on the television. This is what is so exciting. It could be anything. It could be what we’ve all been waiting for. And as we reach the edge of town we ask each other whether we should go any further, i.e. how far do we take this spontaneous chase on which we have embarked, about which we know nothing? Are we being serious? Some of the other cars are stopping and turning around, the people have given up and are heading back home to their beds. But some – including us, the pyjamaed two of us in this car – press on, suddenly full of sincerity. Past the edge of town and up into the hills. We have come too far now to give up on this thing. If we turned back now what would have been the point?  That thing up there in the sky could be something real, our hearts swell to the point of bursting with the thrill of discovering or not, our hearts swell to the point of bursting just with the sheer thrill of chasing.  We drive on, thinking about the people that have given up and turned back. Are we somehow better than them because we carried on going? Does it show determination or desperation? Maybe they didn’t really need to know, maybe we are weaker because we need to find out about this thing. We argue this point back and forth until the words are quivering wrecks vibrating in the air between the driver’s side and the passenger side, and then they just combust and the night breaks into spontaneous laughter and the realisation that we probably won’t ever find out what this thing in the sky is, no matter how far we follow it.



49
May 8, 2012, 18:36
Filed under: Poems

Everyone like rocket scientists
Exploding with things to say
Gaping maws tumbling over
And over each other forever



Bank Holiday Cake Picture
May 7, 2012, 16:16
Filed under: Uncategorized

Here’s a picture I took of some cakes Rach made last week.  Happy May Bank Holiday.



Day #10259
May 7, 2012, 16:04
Filed under: Writing About Writing | Tags: , ,

Adventures in Writing and Reading (An Occasional Series), Part 5

HARI KUNZRU: ‘Gods Without Men’ and various short stories at harikunzru.com

The first thing I read by Hari Kunzru was a short story on the Guardian website called ‘The Maestro’s Loss.’  From there I checked out his website and found more shorts – including ‘The Culture House’ – and then I went to the book shop and searched out his latest novel ‘Gods Without Men,’ where an enthusiastic lady in the shop told me it was, “very good, very strange.”  I realised that I was using short stories just like singles by bands, trying out shorter works before I went looking for the album.  Two things to note – one) the web is good for short stories, whilst I wouldn’t want to read a novel online a short story is just the right length and, if you are a short story writer who also writes novels, can be a good way to draw in new readers, two) I like the way Hari uses his blog to add more to his stories, recently posting a mixtape of music which informed ‘Gods Without Men’.

Whilst I found ‘Gods Without Men’ absorbing and full of life, I did think it was a little too sprawling, indeed some parts of it stand better as short pieces in their own right.  And having read some of Hari Kunzru’s short stories, I think I prefer his writing in this form.  ‘The Culture House’ is a good example of his style, a story which harnesses madness and violence well and grabs the reader by the lapels, Kunzru is really good at quickly establishing a new set-up, revealing more and more information as he tells the story instead of setting the scene and then getting on with the plot.  If there is an overarching theme to his work perhaps it is of people trying to create something in order to find their place in the world – in ‘Gods Without Men’ the power of music is harnassed in an attempt to make contact with space beings, in ‘The Culture House,’ the artist Nicky uses his position to rage against the establishment.  I suppose that this idea of creating something lasting, and making a mark, is an underlying theme in all writing, or even all creative work.  Or something, or something else.  And…

JON MCGREGOR: ‘This Isn’t The Sort Of Thing That Happens To Someone Like You’

A new book by Jon McGregor is always something to be excited about – since his debut novel ‘If Nobody Speaks Of Remarkable Things’ he has been one of my favourite authors.  ‘If Nobody Speaks…’ was given to me as a birthday present seven years ago and I devoured it over a few days whilst on holiday in Barcelona.  I was less impressed by the follow-up ‘So Many Ways To Begin’ but was pleased to see him return to form with ‘Even The Dogs.’  As both the title of his debut and that of this new collection suggest, McGregor deals in observing the mundane and reporting events to show that they are more noteworthy than they may appear.

After three novels, ‘This Isn’t The Sort Of Thing…’ is his first set of short stories.  In this collection McGregor has wandered into more playful structures – there are some longer pieces which resemble his longer works in style, as well as some odd post-apocalyptic pieces in the style of reports so that they barely seem like stories, and some super-short pieces including a two-line poem about Grimsby which would seem flippant were it not for the fact that it fits in as part of the topography of the book.  The stories wind themselves around various locations in the East of England – Lincolnshire, Norfolk, up as far as Tameside – and whilst the stories may be divorced from another and not follow on in any way, they feel connected by place so that what builds is more like a survey of an area created in fiction.  Whilst he still focusses on the experience of the human beings at the centre of his tales, he now brings in the geography of the East almost as another character, there are countless references to long, flat roads, to fields and to the sky.  And whilst I didn’t enjoy these stories as much as his novels, I did like the way it was possible to see him doing something different, trying out different mechanics.  I look forward to his next novel.

JUDITH SCHALANSKY: ‘Atlas Of Remote Islands’

Slightly tenuous link from Jon McGregor’s mapping of the East of England, to Judith Schalansky’s Atlas Of Remote Islands which I’m not even sure count as short stories but I’m going to treat them as such anyway.  This is a beautifully put together book comprising maps of obscure islands and some facts about each one – when it was discovered, how many people live there, etc.  These are accompanied by a short tale based on facts uncovered from various journals and other sources but written completely from the writer’s own imagination.  In a way this is completely the opposite of McGregor’s work.  Whereas he describes his homeland with great authenticity, clearly knowing exactly what the place feels like, Schalansky conjures up a scattershot of globetrotting dreams based on things she’s read.  I think both approaches work.

These are not stories to make you want to actually visit the place, but to explore what could happen in such an environment.  Most of the islands described are small and stranded in the middle of vast oceans, their lives and that of their people are precarious and vulnerable as a result of their geography and their relationship with the sea.  In each case there is a feeling that what makes the islands unique is their complete isolation from other communities.

I’ve always felt discouraged from writing about real people or places as I worry that I would miss out or misplace or misremember some vital detail that would either annoy or confuse people who get annoyed or confused about such thing, but Schalansky carries off this project with such charm that these destinations become more like playgrounds for her imagination and thus the details cease to matter.



Witnesseth
April 21, 2012, 10:31
Filed under: Stories

The first item that morning was about the sudden and unexpected death of the previous newsreader the night before, but no one really believed it.  They believed that she was dead but they did not believe it had happened the way they said.  And then it cut back to the studio and we saw the replacement newsreader, who was almost an exact replica, only slightly prettier.  And it felt like there should be somewhere for everyone to go so that they could talk to each other and say that they had noticed this thing, to feel better about it and maybe even do something.  Maybe get together and complain to the television station, or round up a protest in the name of the old newsreader and some kind of truth, ask some questions of the authorities.  But it felt like it was a time in which protesting wouldn’t do any good – it had begun to feel like a time in which everyone was too busy making their own noise to listen to anyone else.  So we got on with eating breakfast.  The new newsreader was wrapping up the programme now, moving her slightly-superior lips as she formed words, coaxing us all forward into a never-ending time of escalating expectations, futureproof progress and unquestionable perfection.



Because Of
April 20, 2012, 18:37
Filed under: Stories

And they agree to go out for dinner together.  Neither of them have interesting jobs so they do not talk about that.  All he will say about work is:  “I was too hot all day because I had to wear a jumper to cover up the fact that my shirt was really, really creased.”  She laughs as though he has actually told a funny joke and he just looks confused and uncomfortable.  Neither of them are hungry so they share a sandwich and then go for a walk in the city.  They find a bench in the park and they sit together with their eyes closed, and tell each other fake truths – long and detailed secrets which they describe in such earnest tones that it doesn’t matter whether they are being dishonest with one another or not.  She tells him about the time that:  “My parents left the country, abandoning me in the care of some mutually disliked neighbours, and it was only ten years later during a walk home from work – I had just walked past the house that sells the eggs in a little stall at the end of the drive, and the house next door which had the dogs, whose garden I always looked in to see what was happening because first there were no dogs, then there were dogs, and then shortly after there was a small fence because the dogs were getting out of control and had to be kept in, and then soon after that the fence was taller, and then even taller, and then one day the fence had come down and there was no sign of the dogs and just some children standing on the roof of the kennel, whooping and hollering and carrying on like the whole world was going to the dogs, so I was interested to see what would happen next – and anyway, I was just walking along on my way home from work when my parents drove past and it turned out they’d been living in the next village along for the last ten years.”  Their accounts are not as dry and humourless as their lives – they make bleak jokes and hollow puns to illustrate their tales, though these are not the important parts.  The stories wind deep into the night and the city changes around them, growing darker and deeper and more real and.



Eat Drink Sleep Dream
April 12, 2012, 21:11
Filed under: Stories

Toast-flavoured soup, served with toast.  Toast with toast-flavoured butter, or toast-flavoured butter spread on bread to create a toast illusion, eating it from a slice-shaped china plate.  The toaster carefully calibrated to brown within a millisecond of your exact taste, kitchen walls painted to match.  Locked away for days concocting toast-flavoured tea and a toast-based breakfast cereal, staying up all night with crumbs accumulating around your eyes, getting under your fingernails, toast smoke in your skin until it comes out in your sweat, you fill the tumble dryer with toast to infuse your washed clothes as they dry.  The family intervene and give you an injection to try and get you to stop but you counteract with a prepared potion that is pure liquid toast.  And then you’re away, overdosing on toast, sinking into an endless golden retreat where you lie for days on a bed of freshly-buttered toast, you eat toast, dream toast, breathe toast-scented air into your toast-shaped lungs.



Day # 10228
April 6, 2012, 10:12
Filed under: Uncategorized

Ain’t No Email Postmen (A Blog About Envelopes)

Item #1 – A Short, Fictitious History Of The Envelope By Way Of Introduction: Since well before the sixth century, the circulation of human correspondence in folded paper constructs known as envelopes has contributed to the continuing orbit of the planet Earth around the sun – indeed, before the industrial revolution and the introduction of steam-based technology, we were almost entirely reliant on postal movements to get us around the sun on a yearly basis. Now, thanks to numerous other worldly developments, envelope-passing is no longer needed for this purpose, though it does continue. In some places it has become an artistic form with a number of new ideas being applied to the design and decoration of the humble envelope. And, as always, change continues to happen – scientists predict that in the future it will be possible for humans to send post to each other without use of physical envelopes by using computers instead, and mind-to-mind mail transfers cannot be far away either. But whatever happens you can be sure that a glimpse of an envelope will remain a sight to quicken the human pulse, and that the internationally-recognisable symbol for an envelope – whether used in conjunction to physical or non-physical post – will serve as a symbol of the visceral thrill of post, and a reminder of our humble beginnings.

Item #2 – Envelopes, A Puzzling Journey Through The Royal Mail by Harriet Russell (Book Review):  There are not, that I know of, a whole lot of books about envelopes. Therefore, I am going to go ahead and arbitrarily proclaim Harriet Russell’s ‘Envelopes’ as the best (um, that I know about, and have read). It is a thrilling stormer of a biography, charting each and every fold in the production of an envelope, every lick and stick of it’s envelopey life and a thrilling hare-brained tumble through every step of the postal service and then the recycling process.  Not really! Ha, um, yes. No. It’s better (even) than that. Harriet Russel is an artist who seems to be incapable of addressing an envelope in a straightforward manner and this beautifully put together book collects some of the examples of her work as she set about her project to stretch the boundaries of what will find its way through the postal system, and testing the wits and inadvertently enriching the lives of some of their employees on the way.  She delights in taking something straightforward and functional and turning it into something interesting – her post may have taken longer to sort but each envelope is a miniature work of art itself.  Some examples include an envelope in which the address is hidden in crossword clues which needed to be solved before it can be delivered and one which features just the postcode and a drawing of the house to which it is supposed to be delivered.  One of my favourites is an envelope sent from New York to London, covered in a comic strip in which the sender tries to persuade a NY taxi driver to drive to London to deliver the post.

Item #3 – Grow Your Own:  Unlike Ms Russell, I wasn’t clever enough to think of more mischievous ways to address post (though I did do a few experiments, posting chocolate bars with addresses written on the front and letters with limerick-style instructions for the postman) but a few years ago I received a homemade envelope from a friend and decided to pick it apart and learn how to make them myself.  I built a template out of a cereal box and got obsessed with making my own envelopes (see illustration).  Ok, it doesn’t sound like the most interesting hobby and it’s difficult to rationalise it and explain why I enjoy it so much – it’s repetitive and as such takes minimal brainpower, and at the end of it you have some interesting envelopes.  I now have far more envelopes than I could ever need to use, they just pile up everywhere and I have to make things like this just to stop it getting ridiculous.  All you need is some tools (scissors, pencil, bonefolder (and once you start folding things with a bonefolder you won’t want to go back to folding things without)) and some ingredients (slimline double-sided tape, paper (the more interesting the better, usually pictures which are at least A4 in size – full page illustrations in magazines are good (food magazines always make for tasty envelopes, though paper from newspaper magazines can be a bit too flimsy), old calendars are good (big pictures and sturdy material)) and you are away (I could try and explain exactly how to make them, put it would probably come out confusingly, and anyway it’s more fun to try and work it out yourself).  Hours of very quietly exhilerating fun await.




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